Accurate emulation of two reverberation chambers at Motown Studios in Detroit with assistance from Motown engineer John Windt
Both chambers deliver unique spatial responses due to their construction, shapes and volumes as well as the arrangement of loudspeakers and microphones
Four microphones and two loudspeakers for each chamber to choose from
Numerous other parameters such as distance between loudspeakers and microphones, stereo width or predelay for individual sound adjustment